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The best 50 films of 2019: Odd, rich, startlingly varied. And brilliant

The debate that defined the year in film kicked off when Martin Scorsese asserted that Marvel’s superhero films weren’t really cinema. The director of The Irishman never fully backed away from that statement, but, in an opinion piece for the New York Times, he later intimated that his real beef was the shrinking range of alternatives in mainstream cinemas.
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